Saturday
March 16th. Last night was my teacher and friend Jouni Kaipainen’s composition
concert in the small hall of Tampere Hall (Tamperetalo). Shortly: the concert
was fantastic! Unfortunately the rap artist Cheek had a concert at the same
time (7PM) in the main hall, so the entrance hall of Tampere Hall was full of
hysteric teenaged girls. But luckily the sound isolation is so good in Tampere
Hall that you couldn’t hear anything of Cheeks concert in our concert hall,
which was a relief.
The concert
began with Jounis sixt string quartet played by Uusi Helsinki Kvartetti (but
the original cellist Joel Laakso (now working in Copenhagen) was replaced by
Markus Hohti). The piece as well as it’s performance was absolutely fantastic. This
then turned out to be a phrase that describes every piece in the whole concert.
But with this piece it was fun because I have heard it been played before by a
different quartet, and it almost sounded like a different piece! Because Uusi
Helsinki Quartet played the nuances until the extreme and the tempos according
to the score (slightly faster than most other quartets), so the result sounded
very different.
Because I
liked everything in the concert I can’t think of much more to write about . But
about the song cycle” Var det Edith?” (to the texts of Edit Södergran) I have
to say that it is a funny coincidence that Jouni has composed it for soprano,
piano and string quintet. The reason I find this funny is because I have my
self composed Edith Södergrans “Landet som icke är” (“The Land which is not”)
for soprano, baritone, string quintet, trumpet and percussion. So it was a
quite similar ensemble. But my piece is not part of a cycle, and is only 7 min
long while Jounis cycle is a whole 22 minutes. I really liked his
interpretation of Södergrans texts.
After the concert all musicians as well as all composition student’s went together with Jouni, the hero of the day, to a local bar. It was a fun night, which ended quite late…
After the concert all musicians as well as all composition student’s went together with Jouni, the hero of the day, to a local bar. It was a fun night, which ended quite late…
The
programme of Jouni Kaipainen's concert was:
La 15.3. klo 19, Pieni sali
La 15.3. klo 19, Pieni sali
Jouni
Kaipaisen sävellyskonsertti siivittää kevääseen.
THE TERROR
RUN - Jousikvartetto n:o 6, op. 92 (2010)
ensi kertaa
konsertissa Tampereella, (15’)
Petri Aarnio, viulu
Taija Angervo, viulu
Ilari Angervo, alttoviulu
Markus Hohti, sello
VAR DET
EDITH? - sopraanolle ja yhtyeelle, op. 95 (2011)
koko
teoksen kantaesitys, (22’)
Dagen
svalnar I-IV. (Päivä viilenee I-IV.)
Min själ. –
Kärlek. (Minun sieluni. – Rakkaus.)
Verktygets
klagan. (Työaseen valitus.)
Triumf att
finnas till. (Olemassaolon riemu.)
Helena Juntunen, sopraano
Eveliina Kytömäki, piano
Petri
Aarnio, viulu
Taija Angervo, viulu
Ilari Angervo, alttoviulu
Markus Hohti, sello
Aapo Juutilainen, kontrabasso
SONATA
DELLE CANZONE, op. 91a (2010/2014)
kantaesitys,
(24’)
Canto.
Spinto.
Lento.
(Inno.)
Jaana Haanterä, viulu
Eveliina Kytömäki, piano
SONATA
CONCERTANTE, op. 90 (2010)
ensi kertaa
Tampereella, (20’)
PREAMBOLO.
Grave. – Allegro giocoso.
CIACCONA.
Andante calmo. – (…allemanda…) Allegretto moderato. – (…corrente…) Scorrevole.
– (…sarabanda…) Largo maestoso. – (…gigue…) Vivace.
Seppo Planman, huilu
Taija
Angervo, viulu
Liisa Honkanen, harppu
Ilari Angervo, alttoviulu
Markus Hohti, sello
Aapo Juutilainen, kontrabasso
Liput alk.
22 €, eläk.
ja opisk. 18 €
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