Showing posts with label Tampere. Show all posts
Showing posts with label Tampere. Show all posts

Thursday, 18 April 2024

Wasteland Finnish Premiere


Last week my 20 minute orchestra suite, my own “Rite of Spring” got its Finnish Premiere by the fantastic Tampere Philharmonic and Olari Elts in my beloved Tampere, where I studied and lived for almost a decade! Once again I have needed a whole week to recover from this wonderful and overwhelming experience. So happy I got to share the concert with so many friends and family! 

Cecilia Damström with Tampere Philharmonic and Olari Elts. Photo by Maarit Kytöharju for Tampere Biennale 2024.


Wasteland is a piece composed about how the recycling industry works a.k.a doesn’t work well enough yet. In this piece we follow the recycling process of three pieces of clothing from usage, to tossing, sorting, burning and handling of the ashes (and green washing). Obviously, in a piece about recycling I am recycling different pieces of music, representing a piece of clothing each, everything from Für Elise to the Magic Flute and from Catholic Mass Chant to Finnish pop artist Maija Vilkkumaa’s “Ei”.


So happy that the concert was reviewed by three different critics! As my aim is to make people think and feel through my music, I found the review by Aamulehti quite intriguing: It is simultaneously easily approachable and irritating music. 


Jari Kallio wrote for Adventures in Music following:


The opening movement, Wear, comes off as hyperactive Academic Festival Overture, as Damström presents us with a hectic party montage, featuring orchestral costume changes at increasing speed. In the course of the two ensuing movements, Toss and Sort, used clothes are transferred to large sorting halls via an Andante orchestral transportation. At the end of the ride, the ensemble pans out with piled layers of repetition, mounting to vast tutti canvases and gazing upon the sheer mass of waste. Furioso furnaces are lit in Burn, conjuring up symphonic auto-da-fe par excellence. In the concluding Flow the orchestra sails down the river of greenwashing, rendering its final parody before vanishing beyond the horizon.


Conceived with meme-like wittiness and inventive instrumental craft, Wasteland is both fun and serious, its musical designs being both accessible and thought-provoking, without succumbing to fast fashion takes on the Berio Sinfonia (1968-69). Performed with dedication and zeal by the Tampere Philharmonic under Elts, Wasteland was given a powerhouse Finnish premiere.”  


If you want to make up your own opinion, the concert is available world wide for an other three weeks (until the 12th of May) on the Finnish Broadcasting Company’s website Yle Areena. My Wasteland begins at 17 min, although I warmly recommend listening to the whole concert including music by Kalevi Aho, a world premiere by Eetu Lehtonen and a fantastic virtuoso Piia Komsi singing music by Unsuk Chin!


Listen here!




Thursday, 10 November 2022

November Concerts

November is here with a sparkling variety of concerts and me trying to keep up with them! 😅  This month my music is traveling to Germany, Canada, USA and different cities in Finland. 

November began with a pang: an excerpt of my string orchestra piece Fretus was performed during the Nordic Council Prize Ceremony. The event was streamed live to all Nordic Countries and can be seen online under this link. The exerpt of Fretus, a piece dedicated to all the oceans of our world, is performed before and after announcing the winner of the Nordic Council Enviroment Prize.

4th of November: The second movement Rädda mig from my choral suite Min Gud composed to Psalm 22 will get it's Canadian premiere by the Vancouver Chamber Choir conducted by the genious Kari Turunen. The piece Min Gud composed in 2010 is a very important work for me, and quotes from this work can be heard in several of my later works, so I'm very thankful for this performance.

10th of November: my playful duo Groove for flute and accordion is getting its German premiere at Klangwerkstatt Berlin Festival für Neue Musik. Groove is a piece which combines a fusion of jazz, progressive rock, latino rhythms and contemporary music elements and I can't wait to hear it again!

17th of November: Very happy about the Danish premiere of my piano solo pieces Characters and Under Stjärnhimlen, performed by the magnificent Xenia Frederiksen at Viborg Musikforening in Viborg Musiksal. You can find more information about the event here and find tickets here.

18th of November: Very happy that my music is returning to the United States and an other US premiere, with nothing less than my 20 minute Piano Quintet Helene - Nuances from the Life of Helene Schjerfbeck inspired by paintings and the life of the most famous Finnish modernist painter Helene Schjerfbeck.

23rd of November: The third movement Athena from my duo Celestial Beings will be performed at the opening concert of the RUSK festival in Jakobstad, Finland.  Link to the festival’s program here.

25th “Aphrodite” and “Persephone”from “Celestial Beings” will be performed at RUSK at the concert ”Souls of Ill Repute” at 6PM

28th of November: My piano solo piece Epitaph will be released on the splendid Ville Hautakangas’ debut album 12 Premieres! Soon avaiable on streaming platforms! The concert is part of the Pirkanmaa Piano Festival.

Moreover I will also be travelling thanks to these concerts to Berlin 9-12th of November, to New York 13-15th of November, to Winchester Virginia 16-19th of November, to Princeton University 20th of November as well as within Finland to Jakobstad 23-26th of November and Tampere 28th of November, so please feel free to reach out if you are in the vicinity.


Composer Cecilia Damström. ©Photo by Ville Juurikkala


Friday, 9 September 2022

Viljo the Rabbit 2009-2022

 Viljo the Rabbit 2009-2022


Last Sunday my beloved rabbit and friend Viljo died at the animal hospital surrounded by me and my parents. For some reason people always asked me (while he still was alive) if rabbits “can do anything as pets” so here follows a story about Viljo and how special he was.


When I first got to know Viljo, it wasn’t “love at first sight”. My former flatmate Maija in Tampere had had him a few years earlier, given him away, and the new owner couldn't anymore have him and said they would put Viljo down if not anyone would take him, so Maija, who loves animals, asked in the autumn of 2012 if we could take him. I was not super enthusiastic in the beginning to have a rabbit in addition to my flatmate’s dog Dexter, but neither did I want a dead rabbit on my conscience, so I agreed. The first dog Dexter and rabbit became good friends (as seen in the photo below).


Viljo and Dexter 2012. Photo © Cecilia Damström



After half a year Maija took a second dog to take care of. The new dog saw Viljo as a tasty meal all of the time, and once when I came home after a weekend away, the whole kitchen looked like a bomb had exploded. Maija told me her second dog had managed to open the unlocked kitchen door and the rabbit cage and apparently had chased the rabbit all through the kitchen. As through a miracle Viljo had not died of the shock and also survived by hiding behind the motor of the deep freezer until Maija came home. This was the first time I felt really sorry for Viljo, as I saw how afraid he was, he was shaking and looking very depressed. When Maija moved out and my new flatmate Jari moved in, I suggested to Maija she would leave the rabbit with me and Jari, because it might not survive with the new dog.


Jari and Viljo 2013. Photo © Cecilia Damström




Jari at once took to Viljo and suggested we should let him roam free in the kitchen to which I agreed and after a while he was allowed to roam free in the hallway. And what a change this territory expansion did to Viljo! He began lying in the hall waiting for me to come home, behaving just like the first dog Dexter. When I came home he would hop around my feet in circles and make a small grunting noise (those who know, they know), to show how happy he was.



Viljo in Jari's guitar case 2013. Photo © Cecilia Damström


Viljo became a very sociable rabbit. He loved when people would have conversations in the kitchen or hallway (“his” territory) and would jump in eights around both peoples feet, to show his joy. He thought however that it would be best if no-one left the house ever, and clever as he was, he tried to sabotage all means of traveling that he had considered might work: he chewed the wheels of my suitcase, the straps of my backpack and once even the soles of my shoes. In later years he would take to more “passive aggressive” ways to express his annoyance of traveling: by sulking with the back to me (while in-between turning to check if I'm still looking at him).


Vilje and Jari's brother's cat Lipsu. About 2015


Naturally through me and my guitar playing flatmate Jari, the rabbit Viljo became a true music enthusiast. He listened to everything from classical music to contemporary music (preferring Lutoslawski over Messiaen). Jari’s flamenco guitar playing got a special place in his heart. Jari even brought Viljo to my final recital in the Pyynikki hall, the full rabbit review of my concert can be read here: https://ceciliadamstrom.blogspot.com/2014/10/the-rabbit-review.html


Vilje and I in January 2013. Photo © Cecilia Damström


The summers from 2013 Viljo lived always with my parents at the summer house. We tried building him a big outdoor cage, but he was just very offended and wanted to stay rather inside and listen to Radio Classic, while eating kale and blueberries. The most elitist personality I’ve known. (Viljo must feel honoured that The Queen has joined him last night.)


Viljo looking at the sea 2013. Photo © Cecilia Damström


When I moved to Sweden, Viljo lived first for about 2 years with Jari after which he moved in 2017 to Helsinki, mainly living with my parents. His territory became the living room, with a corner for his toilet and rabbit food. But most of his time he spent under the living room dining table, among people’s feet, his favorite place. When he got older he started making a bit of a mess, but hugely appreciated when we cleaned up, and would show it by hopping around eagerly on his clean carpets. I bought a white robot vacuum cleaner for my parents to help, and Viljo also got acquainted with it, although always making sure to show the vacuum that he (Viljo) was the boss and was not going to move for the vacuum.





They say cats have 9 lives but it seems also Viljo had at least 6. According to Wikipedia, rabbits become between 7-9 years old (and insurance stops at 7 years), but Viljo became over 12 years old (12 years 8 month and 26 days). In addition to the already mentioned near escapes in 2012 and 2013, Viljo fell for the first time seriously ill in the late winter of 2018 and again in the autumn 2019 and in the spring 2021, but thanks to the superb vet Delphine (and quite huge investments on our part in the treatment) he managed all these times as well. I myself went through a very hard breakup in 2019, fell ill in depression after which I in addition fell ill with Covid-19 in early 2020 followed by serious long covid for more than 2 years. Much of this time I lived with my parents and Viljo was with me through all of it, sitting with me on the sofa while I watched TV and sitting at my feet while I composed. He was the first creature to hear my compositions besides me, while they were written. He was never happy when I dated someone, because I think he thought during the last five years that I was his partner. When I became single in 2014 and 2019 he was overjoyed both times. He was the happiest at the summerhouse, in the late evenings and when I didn’t leave the house (like on days when I composed all day).


Viljo by the sea 2013. Photo © Cecilia Damström


Last Saturday Viljo was getting more and more tired and on Sunday my parents brought him for the last time to the vet. Sadly Delphine wasn’t there this time. Viljo was diagnosed with an inflamed appendix. We paid for the extra treatment they had to offer, but it didn’t help, they said we have to come and say goodbye. He had been given relaxants and couldn’t move well anymore, but with his last energy he dragged himself on the table so that he lay with his head against my father for a while, against me for a while and against my mother. He wanted to show how he appreciated all of us. And then he sat up and cleaned himself.


Last hour of Viljo's life 4th of September 2022



Viljo was such a special rabbit, I doubt I will ever meet such an exquisite rabbit ever again. I am forever thankful to him for being at my side during my most difficult times in life so far. Thank you Viljo for everything.


Viljo's grave 5th of September 2022



Saturday, 29 August 2020

Exciting times with TampereRaw!

One Saturday afternoon Anna Angervo phoned me and asked me if it was okay for me if the ensemble TampereRaw would make a concert containing 45 minutes of only my music. I could hardly believe I had heard her right, it felt so unbelievable! 

The concert was to take place during Tallinn Music Week on the 28th of March.

Well, we all know what happened in March... I felt only a tiny bit disappointed because it had felt too good to be true in the first place anyway.

But then Anna called me again and said that Tallinn Music Week had been postponed to August! 

All of the summer we have been waiting: will there be a new travel ban to Estonia?

Keeping our fingers crossed apparently helped, because here we are at last! All safe and sound in Tallinn ready for the gig tonight at 6:30!

Photo by me :)


TampereRaw will be performing three movements from my Piano Quintet No 2 “AINO - Emotions from the Life of Aino Sibelius” and all of my first Piano Quintet “MINNA - Pictures from the Life of Minna Canth”.


In addition I will be reading aloud wonderful texts written by Kaarina Hazard.

Still finding it hard to believe it actually is happening! 🤩

HOPE YOU ARE HAVING AN AMAZING SATURDAY AS WELL!!!☀️☀️☀️



Photo at the terminal by Ville Hautakangas





Monday, 20 July 2020

August Concerts 2020

New week, new project! Was great to take four days off and just enjoy the Finnish archipelago! 😎🌸Now looking forward to be working on a new orchestra piece for the first time since over two years! Oh, and August is soon here with four super exciting concerts including my music!

•7.8.2020 World Premiere of my new 20 minute Quintet “Helene - Nuances from the Life of Helene Schjerfbeck” at the superb Kokonainen Festival

•9.8.2020 World Premiere of my new 20 minute song cycle “Framtidens skugga” for Monica Groop at her festival Pellinge Musikdagar Pellingin Musiikkipäivät

•25.8.2020 My 30 minute “Requiem for our Earth” for choir, tape, light and video projection will be performed at this years UNM Tampere 2020: Music Ecology Festival in Tampere, being one of the representatives for Finland

•29.8.2020 My first and second Piano Quintets “Minna - Pictures from the Life of Minna Canth” and “Aino - Emotions from the Life of Aino Sibelius” will be performed at Tallinn Music Week 2020 by the amazing group TampereRaw .

Fingers crossed that Covid19 doesn’t come and postpones all the fun once again!


Tuesday, 7 April 2020

How Covid-19 Changed my 2020


This picture was taken exactly five weeks ago after I had given a guest lecture about my music at Malmö Academy of Music, a week during which I was working as a jury member for the new composition student admissions for my former university. How much life has changed since then!
Four weeks ago on Monday the 9th of March I flew home from Malmö, departing from Copenhagen airport. I was one of the only ones using a face mask at the airport, and happily unknowing my timing was quite perfect, travelling about 5 days before Denmark made a one month travel ban.
Since then all my concerts and events have been cancelled or postponed. I was looking forward to giving a speak about political music at Tampere Biennale's composer seminar, to hear my string quartet Via Crucis be performed at Heta Music Days in Lappland, to hear the wonderful conductor Christian Reif perform my piece Lucrum with W and last but not least: making my Australian debut with my piece Tundo! played by the Melbourne Symphony Orchestra conducted by Håkan Hardenberger. In total 14 concerts with my music cancelled (so far). 
More over I started to have slight flu-like symptoms fours days after my travel and went into voluntary quarantine on Friday the 13th of March. The first 8 days I had not much fever (about 37.8°C), hardly any cough, just a little sore throat, some muscle pain, nausea and headaches and a lot of tiredness all the time. On day 9 my breathing difficulties started, which over time have become less but still not seized (now day 26 in total). I was twice checked up but as I'm not in the risk group, I wasn't tested for COVID-19. 
But despite this all above I feel I have been very lucky and am at good spirit. I'm in a privileged position considering work, as nothing has changed so far - working from home as usual. As soon as I'm able again, I will be working on a new piece for violin and piano for the one and only Pekka Kuusisto and Tarmo Peltokoski, can't wait!
My warmest thoughts are with all my friends in the different cultural fields as well as in other fields (for instance restaurants) who lost several month of work due to the pandemic. My thoughts are also with all the brave and hard working doctors and nurses out at the front line under enormous pressure and and endangering their own lives. And my sincere condolences to all who have lost loved ones to COVID-19.
Just wanted to give an update whats been going in my life and that I'm okay! Sending you all lots of love and hope! Take care!😘

Thursday, 29 August 2019

Anniversary of Letters!

Exactly one year ago my second string quartet "Letters" was premiered by the amazing Brodsky Quartet at the wonderful Stift International Music Festival in Holland! Thank you once again Daniel Rowland - violin for this amazing commission and opportunity!
Since then Letters has been performed by Lapland String Quartet and at the festivals such as Musik vid havet / Meri ja musiikki (Music by the Sea, Inkoo), Kokonainen (Janakkala) and last week twice at the Tampering Festival (Tampere).
The version by Tampering ensemble is in Aamulehti's live stream available for subscribers until Friday. But I now share with you this video of last years world premiere by the Brodsky Quartet available for everyone! Hope you enjoy!