Last week was the busiest week of my 2024 so far, including a performance of “Fretus” with Hyvinkää Orchestra, travelling to Kokkola and back, giving two lectures and being part of one panel discussion about equality in music, one press conference, the world premiere of my accordion concerto “Permafrost” and participating as a nominee in the Emma Gala (equivalent to “The Grammys” in Finland) for the first time! Quite a week! 
It has been such a pleasure to bring “Permafrost” to this world! I got to work together with virtuoso accordionist Sonja Vertainen already in the compositional phase, I got to work with the amazing video artist Irene Suosalo in the past two month and last week got to work with the wonderful Ostrobothnian Chamber Orchestra and Jan Söderblom leading up to a superb premiere, which can be heard online on demand on Yle Areena until the 17th of March! It was wonderful to share such a large part of the journey with Sonja and Irene, finding people with whom you work easely closely together with, is a rare and valuable gift! 
And what a reception and review Permafrost got! Anni Saari wrote in Keskipohjanmaa yesterday:
Top-notch at Kokkola Winter Accordion – “Permafrost” is a Supreme Masterpiece with Sonja Vertainen Shining as Soloist. The composition commissioned from Cecilia Damström by Kokkola Winter Accordion and the Ostrobothnian Chamber Orchestra stands out as a remarkable achievement from the composer.
Damström exhibits a remarkable command in handling the orchestra and exploring its sonic capabilities. At times, she seamlessly integrates the accordion into the string section, requiring meticulous focus to discern the origins of the sound. Naturally, the composition also allocates distinct solo segments for the accordion. In the second movement, Damström demonstrates the artistry of how a top-tier composer uses extended playing techniques: a tap of the wood side of the bow on the strings evokes imagery of a drop falling or a bubble bursting. The accordion has serene, heartrendingly beautiful, simple melodies in the tranquil second movement, melodies that one could listen to endlessly. And what an ending Damström presented!
Permafrost stands as a truly exquisite and masterful creation, impeccably crafted with no superfluous elements. Its accessibility is remarkable; making it a true pleasure to listen to. I dare say, it’s a musical gem that is bound to grace many stages in the years to come. The commission by Kokkola Winter Accordion and the Ostrobothnian Chamber Orchestra is an unsurpassed success!
The next morning after the premiere I headed straight back to Helsinki to the Emma Gala where Ville Hautakanga’s masterpiece album “12 Premieres” was nominated for the award “Classical Emma of the Year”. Was such a pleasure to be part of the gala and the afterparty! 
Congratulations to the Classical Emma Winner, the album Reconnaissance – Kaija Saariaho: Choral Music by Helsinki Chamber Choir & Nils Schweckendiek ! 
Congratulations to the Classical Emma Winner, the album Reconnaissance – Kaija Saariaho: Choral Music by Helsinki Chamber Choir & Nils Schweckendiek ! This week: time for Linda Suolahti’s Album Release Concert on Saturday at 6pm, including music by Leiviskä, Hannikainen and yours truly! Welcome! And next week my ICE will be performed by the Finnish Radio Symphony Orchestra and Nicholas Collon! Welcome there as well! 
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| Composer Cecilia Damström Photo by Jukka Lehojärvi for Keskipohjanmaa |
