Saturday 12th of April. I got a text message from my
friend Matilda saying “You have a good review in today’s newspaper :)” . So of
course I had to go and buy my self a copy of today’s paper Aamulehti!
Here is a approximate translation of the review
(by me):
The writer Raymond Queneau was fond of word games,
experimentalism and linguistic structure. This can also be heard in his work Exercices de style (Style exercises). A
pulsating and entertaining music theatre play based on this text named Bus number 13 was performed last
Thursday at Tampere Biennale. At work were pupils from TAMK’s music theatre
line as well as from Tampere Conservatory, instructed by Auvo Vihro and Hannu Pohjannoro.
The sassy
and crystal clear direction of Vihro didn’t fit any unnecessary moments. The
actor quartet worked aptly. Antti
Kerosuo made a very luscious performance, who’s personality combining melancholy
and hilarity are the qualities of real comedian. The vocally diverse Tiitus Ylipää, had like Kerosua a
flexible and expressive body language. Meerika
Ahlqvist and Alina Lehti glowed slightly more
moderately, but dedicatedly. The musical performance of the quartet was fluent,
although all four still have to work on their use of vocals. On the other hand,
part of the compositions weren’t either in the right key considering their
voice.
The
compositions were polished and the musicians were well used, but didn’t quite
succeed to achieve the level of sparkle the intricate staging had. A few of the
most interesting compositions that stood out were written by Cecilia Damström, her colourful but
among them selves very different and stylistically authentic Erottelua (separation), Anglismeja (Anglicism) and Puheen osat (word classes).
The
pedagogical aspects of Bus number 13
combining theatre- and music teaching should be made use of also in upcoming
future.
Kirsti Holmsberg (translation by Cecilia Damström)
No comments:
Post a Comment