What a wonderfully crazy week it has been! Went to Stockholm for two nights and held a guest lecture for the composition department of the Royal College of Music in Stockholm on Friday afternoon and attended TampereRaw’s concert at Konserthuset Stockholm in the evening, including an amazing performance of my Piano Quintet "Minna - Pictures from the Life of Minna Canth".
TampereRaw at Stockholm Concert Hall. Photo © Ville Hautakangas |
Pianist Ville Hautakangas, composer Cecilia Damström, violinist Anna Angervo and cellistMaija Juuti at Stockholm Concert Hall. |
Stockholm Concert Hall by night. Photo © C.Damström |
Bassist Juha Kleemola, Anna Angervo and Cecilia Damström in Stockholm. |
Cecilia Damström infant of the Royal Academy of Music in Stockholm 21.4.2023. |
Hautakangas, Damström, Angervo, Juuti and Tatevik Ayazyan |
After the concert and a wonderful 2,5h sleep I headed straight to the Finnish National Accordion Competition “Minä soitan harmonikkaa…” where the different movements from my new suite “Renewables” were the obligetory pieces for ages 10-16. Got to hear some of the players aged 10-13, and was absolutely amazed by the high standard of performing in the competition and so many wonderful interpretations of my “Renewables”.
Had 2 hours at home to change into evening gown and headed to the 185th anniversary of Akademiska Sångföreningen at Musiikkitalo, where they performed an absolutely mind-blowing version of my “Sailing to Windward” (composed to a poem by my grandmother's cousin Michael Binnie). This was followed by a dinner party with a lot of singing in four part harmony.
Choral conductor Kari Turunen and composer Cecilia Damström at the 185th anniversary concert of Akademen Male Voice Choir in Helsinki 22.4.2023 |
And a refreshing 3,5 hour sleep later I was back listening to “Renewables” at the Accordion competition at 9 AM. From there I headed by bus to Turku, where I listened to the finals of the Pirkanmaa Pinna Composition Competition, in which I had the honour to be part of the jury.
Cecilia Damström 23.4.2023 |
Many congratslations to the winning work “The Fiddler's Quest” by Benny Ojala and the shared second prize winners Laraine Kaizer-Viazovtsev: Ajam Suomessa, Tomi Räisänen: Kalalle and Robert Ruohola: Hangen värit.
With this timetable I sadly missed the performance by Vaasa City Orchestra and Seinäjoki City Orchestra, who played my Infirmus in Seinäjoki and Vaasa, conducted by Henri Sigfridsson. The performance was apparently splendid as the reviews were raving in both newspapers:
“Cecilia Damström's eerie string orchestra work Infirmus delivered the listeners to a completely different world. The work is dedicated to those who suffer from severe pain caused by an incurable disease. The work cuts, throbs, grabs, hits, oppresses. The world of endless pain has transcribed to the form of music in a really impressive way. An absolutely wonderful, breath taking and merciless piece, which was brilliantly played by the string orchestra.”
Hanne Orrenmaa, Ilkka-PohjalainenSaturday 22nd of April 2023
and
“Cecilia Damström (b.1988) is a fantastic composer. Her work Infirmus from 2015 lacks melodic motifs, instead she exploits the string instrument's ability to create atmospheres. The title means illness or weakness and the listener is given the opportunity for their own personal interpretation. I just closed my eyes and could experience images like pain, worry, hopelessness, hope, aggressiveness...
The work is excellent proof of music's ability to evoke thoughts and feelings.”
Per-Håkan Jansson, Vasabladet Sunday the 23rd of April 2023
This week’s Thursday I had the honour of being the head of the jury for Teosto Award and hand out the award alongside my amazing colleagues Yona, Linda Fredriksson, Gita Kadambi and Miikka Maunula. Big congratulations to this years Teosto Award Winners: the orchestral work “Water” composed by Sanna Ahvenjärvi and Tapio Lappalainen, Mikko Sarvanne Garden's jazz album “Heräämisen valkea myrsky” composed by Mikko Sarvanne and the rap album “Draama-Helmi kuistilla” by Helmi Kajaste and her work group. It was an amazing experience to get to listen to music from so many different genres and talk about it with my colleague jury members, all experts from many genres.
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