Friday, 1 September 2017

My concerts 2017

This spring has already contained many great concerts, but as I update my blog (too) rarely, I’ll write all performances of my music (that I know of) here in one post. You are most welcome to come and listen if you happen to be in the region!

17.1 Konzertsaal, HMDK Stuttgart, Germany
Sydänlaulu played by Prof. Andra Darzins (viola)

Poster for the concert 17.1.17


6.2 at 7 PM - Pyynikkisali, Tampere Conservatory, Tampere
Summer Memories (13 min pianotrio) played by Elina Seppänen (violin), Jyri Häkkinen (cello) and me (piano)

Jyri Häkkinen (cello), me (piano) and Elina Seppänen (violin) after the
performance of my piece "Summer Memories" on the 6th of February 2017

9.3 at 6 PM - House of Nobility, Helsinki
Paradiso (4 min for wind orchestra) played by Aava Winds and conducted by Eero Lehtimäki


31.3 at 7 PM - Organo, Music Center, Helsinki
Shapes (16 min for accordion) got it’s Finnish premiere by Janne Valkeajoki as part of his Master’s Recital. Video coming up soon!

Janne Valkeajoki playing the Finnish first performance
of my piece "Shapes" at his Master's Recital
31st of March 2017. Photo © Cecilia Damström

11.4 at 7 PM - Pyynikkisali, Tampere Conservatory, Tampere
Characters (6 min for solo piano) will be performed by me, along side the first movement of  Shostakovich Piano Concerto No.2 

Via Crucis (22 min for string-quartet) will be performed by the Felis Quartet on Good Friday

19.4 at 12 PM - Pyynikkisali, Tampere Conservatory, Tampere
Characters (6 min) for solo piano will be performed by me as part of my Piano Bachelor’s Recital 

World premiere of “Sailing to Windward” for male choir, performed by Brahe Djäknar conducted by Ulf Långbacka. Music by me and text by Michael Binnie

20.8 - Kokonainen Festival - Hämeenlinna
World premiere of my piano quintet "Minna"

25.8 at 8.30 PM - Tampering-Festival - Tampere
Shapes will be played by Janne Valkeajoki at Tampereen Ylioppilasteatteri

26.8 at 7 PM - Tampering-Festival - Tampere
Unborn (version for chamber orchestra) will be performed by the Tampering Ensemble and Maja Metelska in the Small Auditorium of Tampere Hall.


The next upcoming concerts:


12.10 at 7 PM - Finländska pinnar - Linköping, Sweden
At Teasdale's will be performed by Linköping Studentsångare, conducted by Christina Hörnell. Music by me and text by Sara Teasdale.



21.10 at 7 PM - Linköping Studentsångare's 45th Anniversary - Linköping, Sweden
At Teasdale's will be performed by Linköping Studentsångare, conducted by Christina Hörnell.



10.11 at 6 PM - Dumma Kungen - an opera for children - Kauniainen, Finland

My opera "Dumma Kungen", commissioned by Musikinstitutet Kungsvägen will get it's world premiere at Uusi Paviljonki in Kauniainen, Finland. Text by Monica Vikström-Jokela, directed by Seija Metsärinne and composed by yours truly. Performed by the students of Musikinstitutet Kungsvägen. The premiere is already sold out two month ahead!


Illustration by Nina Haiko


11.11 at 4PM and 6PM - Dumma Kungen - an fairytale opera for children - Kauniainen, Finland
Second and third performance of my fairytale opera Dumma Kungen.


11.11 at 6 PM - Jubilate Choir 50 years anniversary - Helsinki
World premiere of my "Missa Brevis", commissioned and performed by the Jubilate Choir for their 50 years anniversary, conducted by Edward Ananian-Cooper.

13.11 at 10AM and 12PM - Dumma Kungen - an opera for children - Kauniainen, Finland
Fourth and fifth performance of my fairytale opera Dumma Kungen. The performance at 10 AM has already sold out.

14.11 at 10AM and 12PM - Dumma Kungen - an opera for children - Kauniainen, Finland
Sixt and seventh (also last)  performance of my fairytale opera Dumma Kungen. The performance at 10 AM has already sold out.

Sunday, 6 August 2017

Minna - Piano Quintet No. 1

My first piano quintet “Minna” is also the first quintet out of a trilogy consisting of three large form works with the theme “Woman’s Destiny”. The trilogy is a commission by the Kokonainen Festival and the upcoming works will be premiered on the festivals of 2018 and 2019.

The first quintet “Minna - Pictures from the life of Minna Canth" will gets its world premiere this year on the 20th of August at the Kokonainen Festival. It will be played by the incredible musicians Linda Suolahti, Anna Husgafvel, Mari Viluksela, Sara Viluksela and Tiina Karakorpi. As the name says, it is a selection of images from the turbulent and fascinating life of the first famous Finnish feminist Minna Canth (1844-1897).


A sneak peek from the beginning of "Minna", my first Piano Quintet.


The first movement “Alku” (“Beginning”) is about Minna Canth’s happy youth - she was a very bright girl full of life. Her father wanted her to get the best education he could afford, and she was one of the first women to begin her studies at Jyväskylä Teachers Seminary, which was the first school in Finland to offer higher education for women. “I could once again dedicate myself to intellectual occupations and did so with great pleasure and joy. It was as though I had begun to live again.” She however interrupted her studies and married her former teacher Johan Ferdinand Canth. Within the next fourteen years she bore seven children while helping the poor, and working as a journalist.

The second movement “Pysähdys” (“Pause”) is about the despair I can imagine Minna felt, when her husband died in 1889 while she was pregnant with their seventh child. She was exhausted both physically and mentally. After the birth of her seventh child she was very depressed and wrote in her memoir “— — an awful force tried to overwin me to kill my youngest child”.

The third movement “Tahto” (“Volition”) is about the inner thrive of Minna. “My biggest joy and sweetest pleasure is writing. I can’t imagine how I could live anymore, if I wouldn’t be allowed to write” Minna wrote in a letter in 1883. Tirelessly she wrote both articles and theatre plays during the whole of her life. She was always a very idealistic woman who fought for the rights of the poor, sick and those in need. She worked for laws to regulate alcohol consumption, and for laws that would permit women to own property even after having got married. She questioned the idea that poor people were poor due to God’s will,  and instead she implied peoples’ obligation to help the ones in need. She was also a very well read woman who kept herself very well informed about the literature of her time. She writes in one letter “What a great war hero I would have been, had I been born a man in a time of war!”. Due to her fighting spirit and her critical texts, she also managed to get many enemies. But her impact on society was probably greater than that of any other woman at any time in Finland.  She is the only woman who has an own flag day in Finland - March 19th, the day of equality.

Minna Canth died due to heart failure on the 12th of May 1897 and the word about her death spread fast around Finland. Her funeral was held three days later and was so well attended that the whole cemetery outside the church was filled with people. The last movement “Muisto” (“Memory”) describes the void she had left in society through her death, but also how she has been the beginning of a new society where people have more equal opportunities. The women’s right activist Lucina Hagman, whom Minna much appreciated, writes about her friend Minna: “You, you taught us to feel humanity, taught us to look for humanity and to find it even there, where the world didn’t want to see it nor recognise it existed. This inexhaustible love is the greatest  gift you could give your people; you fulfilled by your acts the greatest eternal command; love one another.”


Portrait of Minna Canth by Kaarlo Vuori

Monday, 28 November 2016

The Spanish Tour Schedule

The accordionist Janne Valkeajoki won the XXIII “Arrasate-Hiria” International Accordion Competition in 2015. A part of the prize is an organised solo concert tour in the North of Spain. For this tour he commissioned me with a solo piece with a maximal duration of 15 minutes. The commission received funding by the Madetoja-säätiö, was composed in spring 2016 and the piece "Shapes" will have it’s premiere next week on the 7th of December 2016 in San Sebastian, Spain. Janne has a beautiful programme consisting of three suits, one by Bach, one by me and one by Ravel. Janne is not only the first person to perform my solo suite Shapes, but as far as we know of, he is the first person to perform the whole “La tombeau de Couperin” on solo accordion. (The first performance of Ravel on accordion he gave on his previous tour in Serbia on the 7th of November 2016.)

The program for the Spanish tour is:



J.S.Bach - English Suite No. 5 (BWV 810)
Prelude
Allemande
Courante
Sarabande
Passepied I & II
Gigue

C. Damström - Shapes Op.46
The Rhomb
The Ascending Line
Circles and Ellipses
The Pentagon Chaconne
Dots
The Icosahedron

Prélude
Fugue
Forlane
Rigaudon
Menuet
Toccata


Concert Schedule for Janne Valkeajoki:

Wednesday the 7th of December 2016 at 7:30 PM
At Tabakalera (4th floor) in San Sebastián 
(World Premiere of Shapes)

Thursday the 8th of December 2016 at 7 PM
At Teatro Mucipal of Alcañiz

Friday the 9th of December 2016 at 8 PM
At Casa de Cultura in Arrasate

Saturday the 10th of December 2016 at 7:30 PM
At Casa de Cultura in Aretxabaleta

Monday the 12th of December 2016 at 7 PM
At the Auditorio of Vandellós

Tuesday the 13th of December 2016 at 8 PM
At Auditorio “Pepita Sellés” in Barcelona

The Finnish premiere of Shapes will have to wait until March, when Janne will play his final diploma recital at the Sibelius Academy.



You are very welcome to any of the concerts!


Janne Valkeajoki and his accordion. Photo © Cecilia Damström

Sunday, 27 November 2016

Shapes for solo accordion

I have been very lazy with my blog the past two years but I have decided that I will start presenting my compositions and hope that will help me update at least a bit more often. So I will begin with Shapes that will have it’s premiere the 7th of December 2016 in San Sebastian, Spain.

Shapes Op.46 for solo accordion is a suite in six movements inspired by geometrical shapes. 

The first movement is a palindrome that goes from the middle register to the extreme registers (both high and low) and back again, therefor the name "The Rhomb".




The second movement is a slow ascending line beginning from the low register. 


The third movement is swelling circular movements in both hands and therefore is called "Circles and Ellipses".






The fourth movement is just as the name says, a “Pentagon Chaconne”, a Chaconne consisting of five chords that are repeated, and every chord consists of five notes, on top of which we have two independent melodies. 



The fifth movement “Dots” is a fast movement with dots flowing over and rushing everywhere. 


The last movement “The Icosahedron” is a three-dimensional shape, a polyhedron with twenty faces, or twenty equilateral triangles for being more specific. These twenty faces can be heard throughout the movement, as can the majestic slow turning of the Icosahedron.





The piece is commissioned by and dedicated to Janne Valkeajoki for his solo concert tour in the North of Spain 7 - 14 December 2016. The piece has received funding by the Madetoja-säätiö, Finland.

Saturday, 26 November 2016

Lied concert


This autumn I have taken part in the Lied seminar of Tampere University of Applied Sciences together with my lied partner, soprano Katarina Olkinuora. This seminar is part of my bachelor in piano. The theme of this autumn has been Nordic lied and we have all together had five 60 minute lessons together with the professors Ulla Raiskio and Risto Kyrö. Katarina and I have done lied by Grieg and it has been great fun! On Thursday the 24th of November 2016 we had the final concert for this course. We performed three songs in the Hiekka Art Museum (Hiekan taidemuseo). 

Singer Katarina Olkinuora and I before our lied concert 24.11.2016.

Sunday, 6 November 2016

Composition Master Classes

In the past years I have attended a few master classes of composition, so I thought I would share my experience about compositional masterclasses, both the ones I have attended and those that I maybe would like to attend.

Composition Master Class with Doctor Samuel Adler, Berlin
In 2012 I attended the six week long (!) master class with Doctor Samuel Adler (born 1928 in Germany) at the Freie Universität Berlin (Germany). We were 14 students whom Doctor Adler taught 45 minutes twice a week and once a week we also had a group lesson with him. In addition you could also take a conducting class (as a group lesson) with his wife Emily Freeman Brown. The course fee of around 2000 euros only included the lessons, so housing and living expenses came in addition to that. During the first two weeks we composed a 4 minute piece for a given ensemble, which was performed at the end of the course, and we also got a recording of the performance. During the next four weeks you could work on what ever you wanted to, so I wrote a small piece for orchestra. The course was the best master class I have ever attended, partly because it happened to come to a time when I had a “writers block” and Doctor Adler managed to open this writers block, which was a wonderful feeling! Also I still use some of the compositional techniques he taught me during the course. Berlin is also a wonderful and inspiring city to live in, and I went to concerts or to one of the three (!) opera houses around five times a week during the six weeks I stayed there. But recently I googled and noticed that this course doesn’t seem to be available anymore, so it seems like Doctor has retired (after retiring from Juilliard at the age of 85), therefore I won’t write too much about this course here although it was the best course I have attended!

Sävellyspaja is part of the festival Summer Sounds in Porvoo, Finland. It takes place one week after midsummer (around the last week of June) and the composition master class is about 5 days. You apply in December to the workshop and are informed a few month later if you are elected or not. The elected participants are given a specific task, writing for a ensemble from the Avanti! orchestra. The task/piece has to be ready by March or April. The task varies form year to year, when I participated they gave us a beginning and an ending that we were supposed to incorporate into our piece, and I wrote my piece “Outlandish Excursion”. The teachers at Sävellyspaja are the Finnish composers Tomi Räisänen and Jukka Tiensuu (who is one of my favourite composers!). You usually get two classes with each teacher and then you also have master classes where each student presents works they have composed. You get a few rehearsals with the ensemble and all  compositions are performed at a concert at the festival. When I attended in 2011 also Jouni Kaipainen was my teacher. He is one of the founders of the course and has taught at Sannäs for about 25 years. But sadly he passed away in November 2015. He will always be missed and remembered for his enthusiasm, energy and warm spirit.

In short:
-Takes place last week of June
-In Sannäs, Porvoo, Finland
-You apply in December
-You write the piece before the master class
-You get rehearsals and a performance by professionals at the Porvoo Summer Sounds Festival
-You get all together four lessons with composers Jukka Tiensuu and Tomi Räisänen
-You get free tickets and have the opportunity to hear many of the Summer Sounds concerts
-The course fee is around 300 euros and includes everything (lessons, living, breakfast, tickets) except lunch and dinner. (This price may vary from year to year depending on how much funding Sävellyspaja receives.)
-The course location is a gorgeous manor basically in the middle of beautiful fields (in the middle of nowhere) and it also has a swimming pool and a sauna.
-The food is served at the extraordinary restaurant of the manor (and costs around 15 euro per meal).


Time of Music is a contemporary music festival taking place in Viitasaari, a small city between great lakes and forests. The master class teachers in composition vary very much from year to year. When I attended Time of Music in 2014 the course was held by Sandeep Bhagwati and was about Comprovisation. Also composers such as Beat Furrer (2012) and John Cage (1983) have been teachers & composers in residence for the festival.

In short:
-Takes place the second week of July
-In Viitasaari, Finland
-The master class is part of the avant-garde contemporary music festival
-You apply in the spring
-The teacher varies from year to year (as does the task)
-You get free tickets and have the opportunity to hear most of the Time of Music concerts
-The course fee of around 300 euros includes lessons and living, but no food. (This price may vary from year to year depending on how much funding the course receives.)
-The students live in very basic houses, but the nature is absolutely beautiful and you have the opportunity to go to sauna and/or swimming in the lake (almost) every day.
-Getting food can at times be a bit tricky (as there aren't so many restaurants in such a small town), often the students cook their own food in the evening and also eat it for lunch.



ISAM is a two week long master class in the Landesakademie Ochsenhausen, Germany. You can participate with piano, composition or organ. The teachers in composition are Ofer Ben Amots and Jan Jirásek and you get around three private lessons with each teacher. You can also require a few more sessions if you feel you need it. In composition you have a given ensemble (usually a trio) to write for during the first 10 days, and in the end of the course all pieces are performed by professional musicians. The curious thing is that when the newly written pieces are performed, they automatically are part of the International Josef Dorfman Composition Competition. The most amazing thing about this course is probably the location: an enormous former monastery that was seculized, with original frescos from the 17-hundreds.
In short:
-Takes place the last week July and first week of July
-In the Landesmusikakademie Ochsenhausen, Baden-Wüttenberg, Germany
-You apply during the spring and are informed in June if you are accepted
-ISAM is also a master class you can do if you haven't composed much before but have studied some instrument, know how to write notes and have a background in music
-You usually write the piece during the first10 days of the master class
-You get rehearsals and a performance by professional musicians and take part in the International Josef Dorfman Composition Competition
-You get all together six lessons with composers Ofer Ben Amots and Jan Jirasek
-You get free tickets and have the opportunity to hear all ISAM concerts and matinees (in total around 8 concerts and 3 matinees)
-The course fee around 1000 euros includes everything (lessons, living, breakfast, lunch, dinner, tickets, but NOT travels to and from the location). (This price may vary from year to year depending on how much funding ISAM receives.)
-The course location is a gorgeous castle basically in the middle of beautiful fields in the small village of Ochsenhausen and it also has a lake close by.
-There is a bar just beside the castle where you usually spend a lot of time and a ice-cream parlour that you usually also visit a few times.


The course takes place in the same beautiful location as ISAM, Landesmusikakademie Ochsenhausen, an enormous former monastery that was seculized, with original frescos from the 17-hundreds. The teacher and conductor of the course change every time, in 2016 when I attended we had Danish composer John Høybye as our teacher and Michael Alber conducting and instructing the Orfeus Vocal Ensemble. (In earlier years I heard that the composers also conducted them selves the ensemble, I was very happy not having to do that because Alber is a great conductor and did a perfect job with my difficult piece which I could never have achieved.) The course emphasises on listening to the professional choir rehearse our pieces three hours a day and learning by watching what things are and are not hard, what things work and don’t work. For being honest, this method really beat my expectations! Even though I have sung several years in a semi-professional choir (Näsin ääni), watching a group of professional singers work very fast showed what worked easy and what is hard. Note that although the focus of the course is on new written choral music, the choir is not very used to avant garde music, so keep that in mind when you apply. But if you are interested in writing music like Whitacre, Mäntyjärvi, Pärt or Høybye, this is a perfect course for you! 

In short:
-Takes place in the middle of September all even years (next time in 2018)
-In Landesakademie Ochsenhausen, Baden-Wüttenberg, Germany
-You apply before June and are informed in June or July if you are accepted
-The course can also be attended by for instance choral composers or music teachers who compose.
-You usually bring one ready piece to the course but also can try out excerpts during the course.
-You get rehearsals and a performance by the professional Orpheus Vocal Ensemble
-You have about one private lesson with the teacher and around 5-8 hours masterclass
-You get to listen to the professional choir rehearse all the students pieces for three hours a day.
-If your are elected to the course it is for FREE and includes everything (lessons, living, breakfast, lunch, dinner and dinner). You have to book and pay your own travels to and from the course.

These are all courses I have attended, so now I will go on with other composer masterclasses and summer courses I would like to attend in the future. Obviously I don’t know so much about them as I haven’t been there, but just for some more ideas what’s out there! 

Courses I would like to attend:

The legendary summer course for contemporary music at Darmstadt takes place all evan years (next time 2018). It is both for performers and composers and a meeting point for all people interested in contemporary and avant garde music. It was founded in 1946 and if you read biographies of famous living composers, most of them have attended this course at least once.

I hope on continuing this list, so maybe I will edit it in the future, but enough for now! Good luck applying!

Sunday, 23 October 2016

Short update about me

Sunday October 23rd 2016.

Short update about me: I decided to take an other gap year from my master studies (in composition) at Malmö Academy of Music. I'm living in Helsinki and working as a freelance composer. At the moment I have five commissions: three choral pieces, one opera for children and one accordion concerto. I'm also studying my last year piano pedagogy of my second bachelor at Tampere University of Applied Sciences. Moreover I have started a new "hobby": musicology at Helsinki University. (And bought a gym card to Unisport as well, after an 8 years break of no sports! So proud of myself!) I'm also planning a super cool contemporary music festival for August 2017 with my friends from Tampering


My parents are now starting their "putkiremontti" (plumbing service) and are emptying their flat (with loads of my stuff in it). And soon (in November) I’ll also get a “putkiremontti” as well. Then (in January) I will move to a new flat (within Helsinki) and in September 2017 I will move back to Malmö to complete my masters in composition!

So if my friends don't see me during the next year or two I am either composing, practising piano, travelling by train to Tampere, sitting in a lecture of musicology, writing an essay, preparing for some exam, writing a grant application, doing yoga, or cleaning up some flat. 
So please don't be offended if I'm super terrible at answering messages and emails or just generally am a lousy friend, I'm sorry already!

Hope to see all my friends at my graduation, either in 2017 (piano, Tampere/Helsinki) or in 2018 (Master of Music, Malmö)! Until then, take care! 

Yours sincerely,

Cecilia xx

P.S. Also have some sunny days in sight: In December I’m going to Spain, as my new suite for accordion solo commissioned by Janne Valkeajoki will be premiered on his tour in northern Spain, which is super exciting!