Sunday, 6 November 2016

Composition Master Classes

In the past years I have attended a few master classes of composition, so I thought I would share my experience about compositional masterclasses, both the ones I have attended and those that I maybe would like to attend.

Composition Master Class with Doctor Samuel Adler, Berlin
In 2012 I attended the six week long (!) master class with Doctor Samuel Adler (born 1928 in Germany) at the Freie Universität Berlin (Germany). We were 14 students whom Doctor Adler taught 45 minutes twice a week and once a week we also had a group lesson with him. In addition you could also take a conducting class (as a group lesson) with his wife Emily Freeman Brown. The course fee of around 2000 euros only included the lessons, so housing and living expenses came in addition to that. During the first two weeks we composed a 4 minute piece for a given ensemble, which was performed at the end of the course, and we also got a recording of the performance. During the next four weeks you could work on what ever you wanted to, so I wrote a small piece for orchestra. The course was the best master class I have ever attended, partly because it happened to come to a time when I had a “writers block” and Doctor Adler managed to open this writers block, which was a wonderful feeling! Also I still use some of the compositional techniques he taught me during the course. Berlin is also a wonderful and inspiring city to live in, and I went to concerts or to one of the three (!) opera houses around five times a week during the six weeks I stayed there. But recently I googled and noticed that this course doesn’t seem to be available anymore, so it seems like Doctor has retired (after retiring from Juilliard at the age of 85), therefore I won’t write too much about this course here although it was the best course I have attended!

Sävellyspaja is part of the festival Summer Sounds in Porvoo, Finland. It takes place one week after midsummer (around the last week of June) and the composition master class is about 5 days. You apply in December to the workshop and are informed a few month later if you are elected or not. The elected participants are given a specific task, writing for a ensemble from the Avanti! orchestra. The task/piece has to be ready by March or April. The task varies form year to year, when I participated they gave us a beginning and an ending that we were supposed to incorporate into our piece, and I wrote my piece “Outlandish Excursion”. The teachers at Sävellyspaja are the Finnish composers Tomi Räisänen and Jukka Tiensuu (who is one of my favourite composers!). You usually get two classes with each teacher and then you also have master classes where each student presents works they have composed. You get a few rehearsals with the ensemble and all  compositions are performed at a concert at the festival. When I attended in 2011 also Jouni Kaipainen was my teacher. He is one of the founders of the course and has taught at Sannäs for about 25 years. But sadly he passed away in November 2015. He will always be missed and remembered for his enthusiasm, energy and warm spirit.

In short:
-Takes place last week of June
-In Sannäs, Porvoo, Finland
-You apply in December
-You write the piece before the master class
-You get rehearsals and a performance by professionals at the Porvoo Summer Sounds Festival
-You get all together four lessons with composers Jukka Tiensuu and Tomi Räisänen
-You get free tickets and have the opportunity to hear many of the Summer Sounds concerts
-The course fee is around 300 euros and includes everything (lessons, living, breakfast, tickets) except lunch and dinner. (This price may vary from year to year depending on how much funding Sävellyspaja receives.)
-The course location is a gorgeous manor basically in the middle of beautiful fields (in the middle of nowhere) and it also has a swimming pool and a sauna.
-The food is served at the extraordinary restaurant of the manor (and costs around 15 euro per meal).


Time of Music is a contemporary music festival taking place in Viitasaari, a small city between great lakes and forests. The master class teachers in composition vary very much from year to year. When I attended Time of Music in 2014 the course was held by Sandeep Bhagwati and was about Comprovisation. Also composers such as Beat Furrer (2012) and John Cage (1983) have been teachers & composers in residence for the festival.

In short:
-Takes place the second week of July
-In Viitasaari, Finland
-The master class is part of the avant-garde contemporary music festival
-You apply in the spring
-The teacher varies from year to year (as does the task)
-You get free tickets and have the opportunity to hear most of the Time of Music concerts
-The course fee of around 300 euros includes lessons and living, but no food. (This price may vary from year to year depending on how much funding the course receives.)
-The students live in very basic houses, but the nature is absolutely beautiful and you have the opportunity to go to sauna and/or swimming in the lake (almost) every day.
-Getting food can at times be a bit tricky (as there aren't so many restaurants in such a small town), often the students cook their own food in the evening and also eat it for lunch.



ISAM is a two week long master class in the Landesakademie Ochsenhausen, Germany. You can participate with piano, composition or organ. The teachers in composition are Ofer Ben Amots and Jan Jirásek and you get around three private lessons with each teacher. You can also require a few more sessions if you feel you need it. In composition you have a given ensemble (usually a trio) to write for during the first 10 days, and in the end of the course all pieces are performed by professional musicians. The curious thing is that when the newly written pieces are performed, they automatically are part of the International Josef Dorfman Composition Competition. The most amazing thing about this course is probably the location: an enormous former monastery that was seculized, with original frescos from the 17-hundreds.
In short:
-Takes place the last week July and first week of July
-In the Landesmusikakademie Ochsenhausen, Baden-Wüttenberg, Germany
-You apply during the spring and are informed in June if you are accepted
-ISAM is also a master class you can do if you haven't composed much before but have studied some instrument, know how to write notes and have a background in music
-You usually write the piece during the first10 days of the master class
-You get rehearsals and a performance by professional musicians and take part in the International Josef Dorfman Composition Competition
-You get all together six lessons with composers Ofer Ben Amots and Jan Jirasek
-You get free tickets and have the opportunity to hear all ISAM concerts and matinees (in total around 8 concerts and 3 matinees)
-The course fee around 1000 euros includes everything (lessons, living, breakfast, lunch, dinner, tickets, but NOT travels to and from the location). (This price may vary from year to year depending on how much funding ISAM receives.)
-The course location is a gorgeous castle basically in the middle of beautiful fields in the small village of Ochsenhausen and it also has a lake close by.
-There is a bar just beside the castle where you usually spend a lot of time and a ice-cream parlour that you usually also visit a few times.


The course takes place in the same beautiful location as ISAM, Landesmusikakademie Ochsenhausen, an enormous former monastery that was seculized, with original frescos from the 17-hundreds. The teacher and conductor of the course change every time, in 2016 when I attended we had Danish composer John Høybye as our teacher and Michael Alber conducting and instructing the Orfeus Vocal Ensemble. (In earlier years I heard that the composers also conducted them selves the ensemble, I was very happy not having to do that because Alber is a great conductor and did a perfect job with my difficult piece which I could never have achieved.) The course emphasises on listening to the professional choir rehearse our pieces three hours a day and learning by watching what things are and are not hard, what things work and don’t work. For being honest, this method really beat my expectations! Even though I have sung several years in a semi-professional choir (Näsin ääni), watching a group of professional singers work very fast showed what worked easy and what is hard. Note that although the focus of the course is on new written choral music, the choir is not very used to avant garde music, so keep that in mind when you apply. But if you are interested in writing music like Whitacre, Mäntyjärvi, Pärt or Høybye, this is a perfect course for you! 

In short:
-Takes place in the middle of September all even years (next time in 2018)
-In Landesakademie Ochsenhausen, Baden-Wüttenberg, Germany
-You apply before June and are informed in June or July if you are accepted
-The course can also be attended by for instance choral composers or music teachers who compose.
-You usually bring one ready piece to the course but also can try out excerpts during the course.
-You get rehearsals and a performance by the professional Orpheus Vocal Ensemble
-You have about one private lesson with the teacher and around 5-8 hours masterclass
-You get to listen to the professional choir rehearse all the students pieces for three hours a day.
-If your are elected to the course it is for FREE and includes everything (lessons, living, breakfast, lunch, dinner and dinner). You have to book and pay your own travels to and from the course.

These are all courses I have attended, so now I will go on with other composer masterclasses and summer courses I would like to attend in the future. Obviously I don’t know so much about them as I haven’t been there, but just for some more ideas what’s out there! 

Courses I would like to attend:

The legendary summer course for contemporary music at Darmstadt takes place all evan years (next time 2018). It is both for performers and composers and a meeting point for all people interested in contemporary and avant garde music. It was founded in 1946 and if you read biographies of famous living composers, most of them have attended this course at least once.

I hope on continuing this list, so maybe I will edit it in the future, but enough for now! Good luck applying!

Sunday, 23 October 2016

Short update about me

Sunday October 23rd 2016.

Short update about me: I decided to take an other gap year from my master studies (in composition) at Malmö Academy of Music. I'm living in Helsinki and working as a freelance composer. At the moment I have five commissions: three choral pieces, one opera for children and one accordion concerto. I'm also studying my last year piano pedagogy of my second bachelor at Tampere University of Applied Sciences. Moreover I have started a new "hobby": musicology at Helsinki University. (And bought a gym card to Unisport as well, after an 8 years break of no sports! So proud of myself!) I'm also planning a super cool contemporary music festival for August 2017 with my friends from Tampering


My parents are now starting their "putkiremontti" (plumbing service) and are emptying their flat (with loads of my stuff in it). And soon (in November) I’ll also get a “putkiremontti” as well. Then (in January) I will move to a new flat (within Helsinki) and in September 2017 I will move back to Malmö to complete my masters in composition!

So if my friends don't see me during the next year or two I am either composing, practising piano, travelling by train to Tampere, sitting in a lecture of musicology, writing an essay, preparing for some exam, writing a grant application, doing yoga, or cleaning up some flat. 
So please don't be offended if I'm super terrible at answering messages and emails or just generally am a lousy friend, I'm sorry already!

Hope to see all my friends at my graduation, either in 2017 (piano, Tampere/Helsinki) or in 2018 (Master of Music, Malmö)! Until then, take care! 

Yours sincerely,

Cecilia xx

P.S. Also have some sunny days in sight: In December I’m going to Spain, as my new suite for accordion solo commissioned by Janne Valkeajoki will be premiered on his tour in northern Spain, which is super exciting!



Saturday, 16 January 2016

A Dream came true: Unborn premiered!


Saturday the 16th of January 2016. This week was the premiere of my orchestra piece Unborn, and it was absolutely wonderful!

I went by train to Jyväskylä already on Monday 11 January in the afternoon, and to my surprise quite many trains were fully booked, but I managed to get there before the snow storm broke out. (It wasn’t such a bad storm, but for some reason the trains in Finland stop working when there is a slight increase of snow… Which happens every year!) 

Jyväskylä town orchestra aka Jyväskylä Sinfonia had booked a room for me at the four star hotel Yöpuu. In the hotel every room is different and I had a really pretty room with beautiful wood furniture from the 19th century. For breakfast I had a hard time choosing what to eat, so I ate basically everything for not missing out on anything. It was really nice being in such a nice hotel, the only downside was that I felt like I was going bankrupt every time I ate something (a Sandwich, lunch or even a cup of tea!) that wasn’t included and paid for by myself. 



Dinner at Hotel Yöpuu in Jyäskylä 11.1.2016


Being a composer is so paradoxical. Without composers there wouldn’t exist any music to be played, but still it seems like composers are the ones who earn the least all of their life, even if they some day may get famous… I guess that is why so many composers try to be conductors as well, for surviving. And some also very successfully do both, like Gustav Mahler or Esa-Pekka Salonen. But there seems to be about one of them in every century.

The first rehearsal that I came to listen to (which actually was the third rehearsal for the orchestra) on Tuesday morning on the 12th of January was already a really good rehearsal and my piece sounded almost as I wanted it to sound. The conductor Ville Matvejeff had done a great job with my piece during the first two rehearsals. With only a few comments like “at rehearsal marks E and I the emotion should be more “hysterically energetic” and the woodwinds should maybe play fortissimo instead of forte” everything fell at once much better into place. I also had to ask all my glissandi to be played more slowly. But I have to say I was so relieved when I heard how well the first clarinet Gocho Prakov played his solo and all glissandi, because most people commented on my score when they saw the clarinet part “Are you sure this can be played?” and I said “Well, Martin Fröst played a Sörensen concerto with almost only glissandi in both directions” on which everyone responded “Yes but Fröst is Fröst…!”. So I was really happy that Prakov didn’t seem to have any difficulties either. After the orchestra had rehearsed my piece I told them the underlying story to the piece, and the whole orchestra said in one sad voice “aaaw“ (like the audience of the tv-show Friends). After my rehearsal I stayed and listened to the rest of the rehearsal, Sibelius Violin Concerto played by Petteri Iivonen and Brahms Third Symphony, while following the scores from my laptop (gotta love IMSLP!).

Ville Matvejeff conducting my piece Unborn, while I follow in my score.
Photo by @jklsinfonia 12.1.2016


Ville Matvejeff conducting the rehearsal of Jyväskylä Sinfonia, January 2016. 

After the rehearsal I had lunch with Matvejeff and Iivonen at the hotel restaurant and the rest of the afternoon and evening I spent composing my Melodrama which should be ready as soon as possible, and after that I went early to bed.

Wednesday the 13th of January, the day of the concert it was about ten degrees below zero (Centigrades) and quite a snow storm. The final rehearsal took place at the concert venue, which actually isn’t a concert venue at all but the main stage of the town theatre. Jyväskylä Sinfonia is one of the few town orchestras (along side with Lappeenranta town orchestra) that doesn’t have an “own” venue. The main hall of the town theatre only fits about 550 people, which means that the concerts of Jyväskylä Sinfonia are always sold out. This despite that the acoustics in the venue are terribly bad for classical concerts.



Final rehearsal of Unborn 13.1.2016. Ville Matvejeff conducting Jyväskylä Sinfonia.

 Jyväskylä is quite far away from other cities, it’s about a four-hour train ride from Helsinki. So this was the reason that my boyfriend was the only close person and family-member who came to listen to my premiere.

When I arrived at the concert venue I was happy to see one familiar face, the music critic Wilhelm Kvist from the newspaper Hufvudstadsbladet. He had come by train all the way from Helsinki for listening to this concert, which was very flattering!

My boyfriend and I had places on the third row at the end of the row, so that it was easy for me to go on stage and bow after the piece. I was very nervous during the premiere, but it went really well and I was so happy! I went up on stage and bowed once, the audience applauded politely long enough for me to bow and walk off stage.

My piece was followed by Sibelius Violin Concerto, which obviously was more in the taste of the audience, and Iivonen got to play two encores. In the break my boyfriend asked me “How do you feel now after the premiere??” and I honestly answered “…well, it feels a bit weird that I just had enough time to walk off stage before the applause ended…” and Janne answered “…well… you are a contemporary composer, you have to get used to it, that you aren’t as popular as Sibelius…” And I said “yeah, I guess my music has mainly been played at “contemporary concerts” and “contemporary festvals” where the audience likes contemporary music and even clap the composer back on stage, so I have just been living in my own little bubble”. With this said, it felt SO good when a random lady whom I walked by stopped me and told me that she really liked my piece, and her friends all agreed with her. While I was having a cup of tea a man was talking with his teen-age daughters and they were giggling and looking embarrassed and tried to stop the man, who also came up to me and thanked me for the piece. Maybe the daughters thought it was embarrassing to talk to a stranger? Maybe people think we composers “hear it all the time” that we compose well, that our music is good. But NO, WE DON’T! Too seldom people dare to come and give compliments to other people (at least in Finland), so dear readers; we composers for sure do need your encouragement! Because we are composing for YOU! I remember every one of the five people who came up to me after the concert and thanked me, every one of them warmed my heart and gave me one more reason to keep on composing.

After a nice second half with Brahms and a very short photo shoot, Iivonen, Mavejeff, Janne and I had a nice dinner at Restaurant Figaro. Even though Mavejeff has a career that is completely unbelievable for a conductor under the age of thirty, he is still a very humble and extremely nice person, so I’m not surprised that many like to work with him. Matvejeff was going to conduct an opera rehearsal the next morning in Turku, so he excused himself and didn’t join us for a drink at the bar but instead left, as he still had a 300-kilometre drive left to Turku in the snowstorm.


Petteri Iivonen, me and Ville Matvejeff after the concert in Jyväskylä 13.1.2016.
Photo by @jklsinfonia

I on the other hand had a good night’s sleep, went by train to Tampere, had lunch there and taught my pedagogical student, and then took a train back to Helsinki. (It was so much nicer to split up the four-hour train ride from Jyväskylä to Helsinki in two parts!) It feels funny that everything is already over, the premiere, it’s all over. Most of all I feel thankful and relieved everything went so well; that my scores were clear and the musicians were happy, the premiere went well, and I will have a review in Hufvudstadsbladet! What more could I wish for?

Tuesday, 5 January 2016

Autumn 2015

January 5th 2016. After a hectic spring and summer 2016 I have tried to do some downshifting and this laid back autumn has been exactly what I needed! 

So what have I been up to? I decided to take a gap-year from Malmö Academy of Music, because I couldn’t cope anymore with studying two degrees in two countries (a bachelor of piano in Finland and Masters in composition in Sweden). So this autumn I have pursued  my piano pedagogue degree in Tampere University of Applied Sciences while living in Helsinki at my parents place (for saving on living costs) and working on my freelance composition work. This autumn I have been working on my orchestra piece Unborn (2012-2015) that will be premiered by Jyväskylä Sinfonia on the 13th of January 2016 and also composing a melodrama commissioned by John Storgårds for the festival Sång och musikfesten 2016 to be premiered on the 11th of June 2016 in Kokkola. 

In the beginning of the autumn I also produced one concert for the festival Ung Nordisk Musik together with my friend and composer Dante Thelestam. And in November I was 12 days in Malmö for taking part of and helping to organise the contemporary music festival “Connect 2015 - The Apocalypse” organised by the composition department of Malmö Academy of Music. So I have been more or less in one place the whole autumn, which has been a really nice and welcome change. More over I have begun to sleep about 8h per night, which has correlated with feeling better and being a bit less ill, but also is a part reason to less blog posts.


Hoping to write more about all the events in separate blog posts, so once again being positive (or maybe just unrealistic?) about being back soon with my next post!

Sunday, 16 August 2015

TampeRinging 2015 - The Programme

The Programme of the contemporary music festival TampeRinging 2015 organised by the composer association Tampering ry.

Thursday 20.8.

19:00
Opening concert of the festival: Secrets & Scandals
Tampering Ensemble conducted by Okko Kivikataja
Pyynikkisali, F.E Sillanpään katu 9
Ilkka Hammo: Seeking flow (world premiere)
Jouni Kaipainen: Gena (1988)
Tero Lanu: Birds Are Great Escape Artists (world premiere)
Jami Kianto: Absentiikka (world premiere)
Arnold Schönberg: Kamarisinfonia nro. 1 E-duuri, Op. 9 (1906-7)

21:00
Etkot (The Pre-Party)
Telakka, Tullikamariaukio 3
Philippe Geiss: Sax hero - Suvi Linnovaara, saxophone
Cecilia Damström: Groove op. 38 - JanneValkeajoki, accordion; Jacintha Damström, flute
Sauli Zinovjev: Arco - Elisar Riddelin, violin
Timo Kittilä: Harmonikkasonatiini - Pasi Raukola, accordion
Sergei Prokofiev: Sonata for two violins - Amelie Wünsche, violin; Veera Hölsö, violin
Magnus Lindberg: Jeux d'anches - JanneValkeajoki, accordion

Friday 21.8.
13:00
Improvisation workshop with Oxke Fixu
Keltainen talo, Vellamonkatu 1

19:00
Suvi Linnovaaran Saxophone Recital: Créations
Ylioppilasteatteri, Itsenäisyydenkatu 12
Cecilia Damström: Dorfman trio op.33 (2014): I Lost II Lonely III Forward (Finnish premiere)
Matti Carter: Waves (world premiere)
Annika Granlund: Viikon lopusta (world premiere): I Sunnuntai II Lauantai III Perjantai
Paolo Griffin: Deflection (world premiere)
Jacob TV: Grab it! (1999)

21:00
Tampering-klubi:
Oxke Fixu (FR)
Mikkoman
Telakka, Tullikamariaukio 3

Saturday 22.8.
12:00
Chamber Music Concert: L'après-midi d'un tétras
Pietiläsali, Main Library Metso
Cecilia Damström: Expressionen, op. 27 - Lukas Stasevskij, cello Janne Valkeajoki, accordion Helmi Malmgren, clarinet
Sauli Zinovjev: Arco - Elisar Riddelin, violin
Elisar Riddelin: Minne on mennyt - Hanna Kronqvist, soprano Tuomas Honkkila, piano
Jami Kianto: Kolme laulua - Maija Halme, soprano Tuomas Salokangas, piano
Roope Mäenpää: String Quartet Nr 2 - TEMA-kvartetti: Lotta Laaksonen, violin Emma Kuosmanen, violin Marjukka Manner, viola Aino Palosaari, cello

14:00
Pietiläsali, Main Library Metso
Tero Lanu: Herbaario: 1. Leskenlehti 2. Punakoiso 3. Sinikello 4. Harmaaröyhelö 5. Valkolehdokki (world premiere)
Cecilia Damström: Estampas del mar: 1. Nocturno 2. El mar 3. Dos estrellas del mar (world premiere)
Makedonian folk song, arranged by Michael Parsons: Nani Mi Mariče
Romanian folk song, arranged by Michael Parsons: Auzi, Mîndro
Pekka Kostiainen: Merkillinen mies
Cecilia Damström: El jardín de las morenas: 1. Pórtico 2. Acacia 3. Encuentro 4. Limonar
Pekka Kostiainen: Peipposen pesä: 1. Pitkittyi moni yö 2. Peipposen pesä 3. Kesä irtoaa
Janne Salmenkangas: Kuningattaren ääni: 1. Tämä on lauma 2. Kuningattaren selkä 3. Yksi pieni valkoinen lehmä 4. Elisabet, Emilia (world premiere)

19:00
Caprico Orchestra conducted by Elisar Riddelin
Alexander Church
Matilda Seppälä: Aaltoja joista kirkkaus sarastaa (world premiere)
Ilkka Hammo: Fall Folliage (world premiere)
Timo Kittilä: Towards the Delta - Maija Anttila, bass clarinet (world premiere)
Paavo Korpijaakko: Nebula - Concerto for guitar, Lotta Kosola, guitar
Cecilia Damström: Infirmus (world premiere)
Henri Sokka: Silence Fiction (world premiere)

Sunday 23.8.
19:00
Esa Toivolan Organ Recital
Tampere Cathedral
Torsten Stenius (1918–1964): Partita över en finländsk andlig koral
Timo Kittilä: Preludi Meditaatio Musica dopo il Credo
Pauli Marttinen: Briaɥsklárs (world premiere)
Edgar Arro (1911–1978): Kolme virolaista kansansävelmää
Lasse Kallioniemi: Organic Metal (world premiere)
Naji Hakim (s. 1955): Mariales (1993)1. Incantation (Mater admirabilis) 2. Pastorale (Regina cœli) 3. Antienne (Salve regina) 4. Hymne (Virgo Dei genitrix) 5. Danse (Ave maris stella)

Timo Kittilä: Toccata (world premiere)

Friday, 17 July 2015

Summer 2015

”So what are you doing this summer?” I get this question quite frequently, so I decided to write about what’s happening this summer in my life!

May
2-9.5 visiting Würzburg
Visited my friend Janne Valkeajoki in Würzburg for discussing and working on his commissioned piece Groove, which will be premiered in Sysmän Suvisoitto 2015.

10.5 Concert in Lund with Ton Generation. Composition class of Malmö made a concert, and I gave my piano solo piece Piano Delirium it’s Swedish premiere. 
(More about the concert: click here)

20.5 Concert in Malmö Academy of Music, and the pianist Linn Bertland gave my piano solo suite Characters its world premiere.

21.5-26.5 in Finland:

21.5 arrived at 14:45 in Finland, got picked up so I managed to go home and in the evening I went to the Finish Cultural Foundation Annual Celebration in Siuntio
22.5 piano lesson in Helsinki with Risto-Matti Marin
25.5 Played the Finnish premiere of my piano piece  "Characters" at 6 PM. in the Korvat Auki concert at the Aino Ackté Hall
26.5 Flight to Stockholm at 16 o'clock.

26-30.5 Stockholm
27-28.5 Rehearsals with the Swedish Wind Ensemble
29.5 Concert with Swedish Wind Ensemble, premiere of my wind orchestra piece Paradiso, conducted by Michael Bartosch. (More about the concert: click here)
30.5 Travelling by train back to Malmö

June
31.5-17.6 in Malmö
4.6 Playing the second movement of Hummel’s Piano concerto and my piece Characters at the Horn class concert in Malmö Academy of Music
5.6 The Spring Party of Malmö Academy of Music
7.6 To hospital due to acute infection, I however felt fine after I got antibiotics
8.6 deadline for first songs of the opera “Schnitzler’s Dreams” (composing all night and morning)
9-12.6 Cleaning out the flat and moving most of my stuff (to a friend’s attick) although I took six bags with me.
12.6. Moving out
12-15.6 composing Sirens for brass ensemble, premiere at Blekinge International Brass Academy
17.6 By train to Stockholm, and by ferry back to Finland, with 6 bags and a total of 91 kg!

17-21.6 in Helsinki
Composing night and day my part of the collaborative opera Schnitzler’s Dreams for Fredrikstad, Norway.

21.6 flight to Copenhagen, stayed the night at a friend in Malmö
22-28.6 Karlskrona, BlekingeInternational Brass Academy
Composer in residence the whole week, rehearsals 24-26.6
26.6 Premiere of my new piece Sirens for brass ensemble
28-30.6 Staying at my friends place in Malmö while composing the opera
29.6 meeting with composer JonatanSersam and Martin Dahlin-Volsing and planning the contemporary music festival Conncet 2015 taking place 13-22.11.2015 in Malmö.
30.6 Flight back to Helsinki

July
30.6-23.7 Finland
Composing opera, deadline 3.7
2.7-8.7 Sysmän Suvisoitto
3.7 Sent off 70% of my part of the opera, the other 30% must still wait…
4.7 Premiere of my flute & accordion piece by Janne Valkeajoki and Jacintha Damström

8-13.7 composing my string orchestra piece (premiere 22.8) at my parents summer house.
13-20.7   I will then compose the last 30% (15min) of my part for the opera Schnitzler’sDreams
 
23.7 Flight to Stuttgart, Germany
24.7-7.8 International SummerAcademy of Music, Ochsenhausen
24-31.7 composing a piano trio

August
1-7.8 composing a commissioned melodrama (composition to be continued later) at Ochsenhausen
8-13.8 small vacation in Germany
14.8 travelling to Fredriksstad, Norway

14-21.8 Fredrikstad, Norway
Rehearsals for the installation opera Schnitzler’s Dreams
17.8-19.8 quick stop in Helsinki for a conference 18.8 for a theatre project I am involved in, back to Norway on the morning of 19.8.
20.8 premiere of the installation opera Schnitzler’s Dreams in Fredrikstad. (More performances 21-23.8, but no time to stay…)
21.8 Flight to Finland

21.8 more or less permanently in Finland
21-23.8 in Tampere at the TampeRinging festival, many premieres of my pieces, please feel welcome to listen!
20.8 at 21 o’clock Groove at the restaurant bar Telakka, Tampere
21.8 at 19 o’clock The Dorfman Trio at Ylioppilas teatteri, Tampere
22.8 at 12 o’clock Expressionen at Pietiläsali, Metso Library, Tampere
             19 o’clock the premiere of my string orchestra piece Infirmus!
23.8 at 19 o’clock Under Stjärnhimmelen, premiere of the organ version

But if everything goes according to plan then I will be quite happy with the outcome: composed Sirens (7 min.), a string orchestra piece Infirmus (7 min.), a piano trio, part of a melodrama and a 45 min. part of a chamber opera Schnitzler’s Dreams. All of the previously named pieces (minus the melodrama), Groove, Characters and the organ version of Under Stjärnhimmelen have their premiere this summer and also older pieces like The Dorfman Trio, Sydänlaulu and Expressionen will be played again in concerts! So quite a summer!

Sunday, 12 July 2015

Music for String Orchestra

Saturday 11th of July. Sitting at my parents summer cottage and composing my new piece for string orchestra. It will be premiered by the Caprico Orchestra, conducted by Elisar Riddelin, on the 22nd of August at the contemporary music festival TampeRinging 2015. I have written about 5:30 minutes so far, and now trying to come up with something nice to end the whole piece, which I plan to be about 7 minutes. The whole piece is very much inspired by the Polish composers Witold Lutowslawski and Krzysztof Penderecki, so I will share below some of the music I have been listening to lately.
Lutoslawski’s String Quartet


Lutoslawski’s Third Symphony (one of my all time favorites, also used in the film Shutter Island)








All time classic (in contemporary music): Penderecki Threnody to the Victims of Hiroshima



And today’s new discovery (suggested by YouTube! Actually I must say I'm quite impressed  by YouTube for finding this for me):
The Finnish composer Sampo Haapamäki’s accordion concerto Velinikka